The Dinner:
The film is light and not in the least bit complex, unlike other multiple storyline films such as Nashville or Magnolia. That said, the lack of complexity also means that there is a lack of depth for the characters. We like or dislike each of the characters but there is very little reason as to why we should care for them. The most developed characters are the florist played by Kutcher and Edison (Bryce Robinson) a child who is suffering from heartache. Beyond that it’s hard to say that there is a compelling character to gravitate to. That said, seeing former Disney girl Anne Hathaway as a phone sex operator as her second job is quite a curve ball.
Garry Marshall hasn’t lost his touch as a director of romantic comedies. The film is brisk despite its 2 ¼ hour run time. It’s hard not to smile or sigh at certain points in the film. Even so, the film seems to be patched together with important moments featuring cuts to other seemingly unimportant scenes that break the tension or drama of the moment. In the end the patchwork comes together to produce an ending that will leave most satisfied. The technical side of the film is solid; featuring a score by John Debney that makes sure the audience know how’s to feel. In the end, Valentine's Day is for those who love the day and the stars of the film. It isn’t very deep beyond that.
Review by Michael Fusco (Film screened at Pico & Westwood Landmark.)
